Wednesday, 3 February 2016

design sheets



For my design sheets for the sensory room I decided it would be better to do something simple and dark like most sensory rooms are designed. For my first design I thought an underwater design would be quite good added with the lights it would create a nice effect and some sensory rooms use fish tanks in them as they help create a calming environment and are good for decoration as well. For the design with a racetrack on it I thought it would give them something to focus on, as a more interactive aspect of the design. I had intended to have the tarmac painted with magnetic paint because you can buy little cars with magnets on the bottom of them so they would be able to play, but the only magnetic paint I could find was for wood and metal and the reviews said that it didn’t really work that well anyway, but it still functions the design is still useful in that way it just won’t let anything stick to it. The last idea I had was the galaxy design I wasn’t sure how it would turn out but after I got the stars on it blended nicely and it should feel nice and safe and I also think it would make it feel more womblike.
For the library wall I initially just put a lot of illustrations on to it until my last design which was my favourite I came up with the idea of using the yellow brick road on it and branching out on to the ceiling, unfortunately I couldn’t find any floor paint in that colour and I didn’t really have the measurements for the floor either. On the same design I planned on using radiator paint but couldn’t find any of the colours I wanted only white, off white and black.  




Sunday, 10 January 2016

sensory room



I chose this because I thought it would be a good challenge for me and it is, in order to design this room to the best of my ability I did research into the autistic spectrum and I have realised it is difficult to create this room with each individual child in mind due to the fact that different people have different triggers that can easily set them off like a sound or a sight, not only do I have to consider this I have to take into account the different levels of autism I will be designing for some of the children may have difficulty communicating in order to fully understand what I’m going to be catering for I believe I need to talk to either the teachers or the parent as well as for the library wall I think I will need some input for that as well.
 For this project we also visited Osborne technologies to see what their sensory room had to offer and while discussing our project we were asked our budget and we were told it would be very difficult to have a similar setup for our sensory room.



library wall

For this project we have been working with Shawlands primary school and they have asked us to design a space for them only working on two of the three options we were given a library wall two display boards for key stage 1 and 2 children and a chance to design a sensory room mainly used by children on the autistic scale for a place where they can escape to if need be.
I decided I would design the library wall which has to be about encouraging the love of reading and I decided to design the sensory room as well. For the library wall I have been looking into book illustrators to back up my design plan and perhaps gain some perspective from their work for a child friendly design.
I started by looking at some of my favourite books like harry potter and Jim Kay is the man behind the illustrated version of the book.
I was quite mesmerised by the detail that went into these illustrations and I wanted to recreate them for my artist studies, I believe I did a good job it is one of my favourite pieces of work and is also part of my portfolio.


My artist research into Quentin Blake was quite fun though tricky his penmanship is difficult to copy as well as his colouring techniques my favourite illustration was Willy Wonka from Charlie and the chocolate factory. as a book I preferred the twits I believed it to be funny and well thought out and the illustrations weren’t bad at all a little chaotic at times but they represented the books well.




https://www.youtube.com/watch?v=8EE9q1lygpM Quentin Blake 10 minutes of illustration

 https://www.youtube.com/watch?v=ZQn8Qc_P6SA

https://www.youtube.com/watch?v=XhclMOesHdM 

Thursday, 19 November 2015

the world i live in evaluation



During the summer I don’t believe I managed my time very well as I mainly added to it every so often and unfortunately toward the end of the summer I rushed to get it done as best as I could. If I had the opportunity to redo this project I would look over the brief carefully broaden my ideas for the world I live in and manage my time more effectively. The contents of my sketchbook was mainly focused on the things people and places closest to me, at first when starting this project I wanted to draw and paint portraits of family members and pets as well as include as much media as I could. Over this project I have looked into primary and secondary research I also included some observational drawings mainly in my sketchbook. My primary research was key to my project I have used my own images to further develop my work eventually focusing on my pets as a final design. On my design sheets I used an image of my pet dog and painted/ drew  her with as much media as possible. I incorporated the style of Lucien Freud into my piece I really liked the look of it being painted this way and so I continued to use it all throughout my design development sheets and eventually my final piece. For my samples I looked at mainly paint including gouache and acrylic I also attempted a cross stitch piece as well, I painted on to mdf board and on one canvas to test the gouache on and I preferred working on to the mdf with the gouache as It applied more smoothly.
On the design development I tried using pencil acrylic paint watercolour and pen I had looked at an artist that worked in cross hatching and I thought it would be good to link it back to that. My main issue was time as I was unable to finish the cross stitch that was a part of my samples but as I didn’t take anything from it I don’t think it would’ve affected my final piece though I wish I could’ve been able to finish. The problem I think mainly was that my threads for the cross stitch would get knotted and I think I lost a lot of time attempting to unravel them.
If I had more time I would have experimented more with oil paint as I haven’t yet managed to work with that media on a project so far and I would like to learn some new techniques with it, also I would have liked to include more colour in my project so that I could have linked that back to the Freda Kahlo painting I critiqued. For my final design I decided to paint my dog coco unfortunately in 2014 during my exam period she became ill and we had to have her put down, it was quite emotional when we lost her and I thought that If I did a painting of her it would link into the world I live in because she was alive for twelve years and that was a large portion of my life not only was she quite important to me she was always very photogenic and I like this photo of her very much.
Over this project the main issue has been time but I am happy with a lot of things like my artist research I think my paintings of the originals were quite good and I enjoyed replicating them so they were almost identical to the original. I also believe that my design development sheets went well too, I think I managed to use more media in this project and it has helped me gain painting skills and has drawn me away from using the same basic media I always have used for my artwork. The only thing that hasn’t really worked out well is the cross stitch but that was mainly because of poor time management. If given the opportunity to have another try I would look more on the broader aspect of the world I live in perhaps looking into the Syrian crisis or perhaps draw portraits of the leaders of the world or look into charities and symbolism, I might have looked at religion or how social media is affecting the world I live in and what it is doing to the next generation as well as the older generation.
During this project I haven’t managed my time well enough and have suffered because of that, I was unable to complete my cross stitch which I am disheartened by after days of trying to get it completed, hopefully in the future I will have the opportunity to finish it and be happy about it eventually. My sketchbook has also suffered because of my poor time management skills having rushed myself toward the end I felt I could’ve done much better than what I did, it was also incredibly difficult trying to think about what to put into it. As well as poor time management I neglected my blog quite a lot I have added some things but I haven’t put everything I should have put on there.
Overall I think this is my favourite project so far I enjoyed creating the samples although after a while of doing the same image over and over and over it got a bit boring though I do like my final piece albeit the background is a little too colourful for the foreground. I like the noble stance the subject appears to have and it gives seeps silence, when you look at the painting it makes you feel quite at peace and has a calm to it that I believe is because of the eyes the dark yellow colour of the eyes make it as though she’s looking into you. In my sketchbook there is a portrait of my grandma done in oil pastel which I am extremely proud of because it was my first time using that media on a portrait.

Sunday, 27 September 2015

purpose of the art critic



The purpose of an art critic

The role of an art critic is very important as it helps provide a first impression and also tells you whether the art is worth the money of buying it or not, as art is subjective they provide their opinion of such art and if you agree you will likely trust their judgement again on another piece. The critics that are around today like most people have their own style and probably prefer different styles of art to another person just like the audience would. Art critics also force artists, sculptors and other craftsmen to up their game and produce a higher standard of work if it is to survive the art world providing constructive criticism often helping them with their target audience for their next piece. But I believe their work is mainly for promotional purposes helping the artist to get their name out there as well as to encourage the artists to keep on pursuing their craft giving them well needed courage as all artists are looking for people to enjoy their work.